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a personal blog
notes from new york city.

entry 3: the magic of (the) cinema

reason why i believe motion picture is the greatest form of visual art there is is due to one primary reason: the existence of the specific type of surrender one gives into, whether conscious of it or not, when taking in motion picture content. and the vessel for such, the cinema, i believe to hold an inherent magic between its four walls, the screen, and its audience to exclusively experience such.
now, i’m not going to be ignorant and say that no other forms of visual media can induce a trance-like surrender when experiencing it. of course this surrender can occur when visiting a museum and seeing a painting, sculpture, still photograph, etc. that you resonate with. this surrender is a specific feeling; closely resembling that of alignment with a subjectively true purpose, and/or a feeling that provides a tremendous amount of furthered understanding to your own unique life experiences and worldview. but cinema is slightly different in how it conveys this. with motion picture, twenty-four still frames are sped up consecutively to be shown in one second intervals to tell stories and craft narratives. it is an art form that quite literally mimics real-life down to the very ..................
to me, motion picture is the single greatest visual art form that has ever existed and it’s not even close. greatest, as i define it here, meaning the most effective for our species. i throughly believe it bests painting, sculpting/ceramics, still photography, performance art, drawing, and dare i say it, the theater as well. could this be seen as a bold statement? perhaps. i mean cinema as an art form has only existed for a little over 100 years now, and right under 100 years if we’re including the integration of sound starting with the jazz singer (1927), which would mark the beginning of what we expect today within the content that we choose to see. the reason why i believe motion the
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